The common material was no doubt that which it professed to be, namely, the
statement of some one of the Companions. Indeed, as respects the Heavenly
journey, the most extravagant of all the episodes, Sprenger has satisfied
himself (as we have seen) that it can be traced back to the very narrative of
Mahomet's own servant; and he deduces the conclusion, that early origin
affords no criterion of a story being founded on fact.1 On the
contrary, we hold that early origin does afford a strong presumption that
there was at bottom an element of fact, a kernel of reality—small it might
be, but still real—which devotion has seized on as a centre around which to
cast its halo of the marvellous and supernatural. That there is such a nucleus
even for the Heavenly journey, i.e. for Mahomet's having told a story of the
kind, is proved by the mention of it in the XVII. Sura, and by the scandal
occasioned thereby at the first, even among his own followers. And so with the
tales of the miracles of Mahomet,—puerile fabrications as they evidently
are,—we can generally trace in tradition some real incident on which they
were engrafted, which prompted the idea, and gave to fancy a starting-point
for its fairy creations and illusive colouring.